The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). ksm9 hs surprising on no feedback. Essential was founded with a belief and mission to empower people through design. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. Shure KSM9 is a professional on-stage condenser mic. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. 71 user ratings. This mic has all the detail and nuance that youd expect from a studio condenser. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! Win a TB-03 and TR-06 from Roland. KSM8. Don't Let Dirty Power Ruin Your Recordings. If you want the best quality XLR cables, try these. Enter the KSM8. 1.93 in. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. You may login with either your assigned username or your e-mail address. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. This website uses cookies to improve your experience. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. In my opinion, if budget allows, stretch to a KSM9. If the two passage times are accurately matched, the sound pressure will be identical on both sides of the diaphragm, and there will be no net movement which means no electrical output. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. He is always eager to try new creative endeavors and uses them as inspiration in her writing. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. Shure: KSM8 & KSM9 Microphones. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. Happy customers, one piece of gear at a time! I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. I prefer the KSM9 over the Beta87C. But this mic is well constructed, and perfect for live performances which require that superior condenser sound. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. The Neumann is also slightly more sensitive than the Shure, but it does have a similar max SPL. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. Unlike with other mics, both patterns of KSM9 work flawlessly. You can easily make one of these out of stockings, or buy one here. But aside from the minimal handling noise, this really is a different experience. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. Brand New. With this taken care of, theres many advantages to using a condenser mic. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. Thank you for your request. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. It has a warm sound that is perfect for female vocals or mellow tracks. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. This model is renowned and remains a favorite choice of many musicians. . AK8C. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. Shure's KSM9 is a stage condenser in a traditional handheld form factor. They both come with a built-in shock mount and are able to handle high volume levels. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. Click to reveal None. But on closer inspection, each mic has their own distinct but subtle character. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. Shure KSM9 Shop now at Amazon. The KSM9 microphone typically runs around $700 in a wired configuration. 210.65.88.143 There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). 531 171. After the KSM9 development, I began talking to Shure about an all-new dynamic vocal mic. This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. Its an effect used by radio presenters to give them very deep voices. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. This pattern is fairly forgiving of mic position and technique, whilst capturing detail. When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. KOHN MUSIC STORE. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. Beta 87A on UHF-R Wireless. A25E. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. This is like having two mics in one, and is a real bonus. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. Switchable cardioid and super-cardioid patterns. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. . and all parts are high grade. In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. Q. On the surface this mic looks very similar, with the same sleek design. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. . Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. Together we are over 500 exceptionally creative and talented specialists working from design studios, research labs, and engineering centers across Europe and the US. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Our web address is www.shure.com. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Save my name, email, and website in this browser for the next time I comment. This will add more bass to the sound, due to the proximity effect. Follow us. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. Does anyone have any experience with the KSM9? Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. A Sweetwater Sales Engineer will get back to you shortly. While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. However the KSM9 is noticeably cleaner and brighter. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. . shure axient combiner shure axient combiner (No Ratings Yet) . Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! Dualdyne capsule continues the ongoing evolution of microphone technology. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, Shure are registered trademarks of Shure Incorporated in the United States. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. So having the benefits of that technology available on stage for the live-sound market is very appealing. All rights reserved. As low as $62/mo. And of these, the SM57 and SM58 are industry-standard around the world. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Where the magic happens! The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . Find out more about how we test. ; chanel Single vs. Dual-diaphragm frequency response. What's the problem with your 58? Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. It may not display this or other websites correctly. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! BACK. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. Have a question or request? The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. It is intended for vocal use. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. The Neumann KMS 105 is a condenser microphone that is designed for studio use. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. KSM9 is also amazingly crispy and I find it quite amusing. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Then connect the output of the phantom supply soundcard. I work with a female vocalist who is looking to upgrade her microphone. Therefore, if you can afford this mic, go ahead and start digging that difference. All in all, the KSM9 offers a very happy medium. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. I work with a female vocalist who is looking to upgrade her microphone. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. Now is the perfect time to get the gear you want with simple, promotional financing. and if so what are your opinions. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. Theyre probably best-known for their affordable handheld dynamic stage microphones. The KSM8 microphone is available in a black or brushed-nickel finish. Unusually for a stage vocal mic, the response is largely flat between 100Hz and 10kHz and the substantial presence peak found in most stage vocal mics is absent in the KSM8. 965 seriously cuts through the muddiness very crisp high end. You wont have the super resilience of a dynamic mic. Because more aspects of life and work are mediated through technology, we design multi-channel digital solutions that create seamless user experiences. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. Given the sensitivities of condenser mics, why would anyone risk using one on stage? 95A2050 . Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. Its worth noting that the E965 is a bit cheaper than the KSM9. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Theyre both handheld condenser mics optimised for live performance. Shure QLXD2/KSM9. More videos like Shure KSM8 vs. KSM9 | What's the Difference? England and Wales company registration number 2008885. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. Did you mean the KSM9? The sound engineer will normally mute the mic from the mixing desk when needed. This mic offers dynamic lows, balanced mids and sparkling highs. The Sennheiser also has a slightly larger diaphragm than the Shure. Internal shock mount and capsule stabilization mean minimal handling noise. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic).
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